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But several people at the Met, who spoke on condition of anonymity, said that the problems began when Miss Battle objected to attending the two or three daily rehearsals that are typical in the weeks before a production opens. Like Callas, she may well return in triumph. Mr. Volpe did not appear, and she quit. I don't want to say that this break is forever."What effect her dismissal from the Met will have on her career is uncertain. Indeed, stories of her backstage tantrums travel through the music world at lightning speed."Kathleen Battle's unprofessional actions during rehearsals for the revival of 'La Fille du Regiment' were profoundly detrimental to the artistic collaboration among all the cast members, which is such an essential component of the rehearsal process. In the manner of some who get a special lift in life from an innate advantage, a guardian angel, a stroke of good fortune, or simply hard work, Ms Battle was swept away by the pomposity and grandeur of it all and forgot even those who had helped her to climb the last and most difficult steps near the top. Even so, this was an agonising dismissal for the Metropolitan Opera, the nation's grandest opera company, and a gentlemanly organisation. In the beginning, Battle was much beloved because her singing was so fresh and clear and wholesome. To my knowledge, we were working out all of the artistic problems in the rehearsals, and I don't know the reason behind this unexpected dismissal. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. She withdrew from rehearsals only days before it was due to open in New York because she was upset with the leadership of the young German conductor Christian Thielemann. Or that before opening night with the Boston Symphony Orchestra in 1992 she demanded to change hotels because the one she was in put peas in her pasta?Upset the underlings and embarrass the hand that feeds you and, however good you are, you are vulnerable. It cost the record company dollars 50,000, a sum that a frustrated executive observed would have been enough to have them surgically lifted and attached to her ears.Are you sure you want to submit this vote?Sharing the full story, not just the headlinesBy the time the announcement was made last week to the Met's cast for Donizetti's La Fille du Regiment, there was not a drop of sympathy left; only rejoicing. The moment arrived when she was rehearsing the part of Marie, the young orphan adopted by a French regiment in Donizetti's opera. Please continue to respect all commenters and create constructive debates.Enter your email to follow new comments on this article.From that day, however, it was only a matter of time before Ms Battle was fired, the experts say. All I can say is I am saddened by this decision."The current clash recalls the confrontations between Maria Callas and Rudolf Bing in the late 1950's, particularly Mr. Bing's 1958 public dismissal of the soprano.
But several people at the Met, who spoke on condition of anonymity, said that the problems began when Miss Battle objected to attending the two or three daily rehearsals that are typical in the weeks before a production opens. Like Callas, she may well return in triumph. Mr. Volpe did not appear, and she quit. I don't want to say that this break is forever."What effect her dismissal from the Met will have on her career is uncertain. Indeed, stories of her backstage tantrums travel through the music world at lightning speed."Kathleen Battle's unprofessional actions during rehearsals for the revival of 'La Fille du Regiment' were profoundly detrimental to the artistic collaboration among all the cast members, which is such an essential component of the rehearsal process. In the manner of some who get a special lift in life from an innate advantage, a guardian angel, a stroke of good fortune, or simply hard work, Ms Battle was swept away by the pomposity and grandeur of it all and forgot even those who had helped her to climb the last and most difficult steps near the top. Even so, this was an agonising dismissal for the Metropolitan Opera, the nation's grandest opera company, and a gentlemanly organisation. In the beginning, Battle was much beloved because her singing was so fresh and clear and wholesome. To my knowledge, we were working out all of the artistic problems in the rehearsals, and I don't know the reason behind this unexpected dismissal. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. She withdrew from rehearsals only days before it was due to open in New York because she was upset with the leadership of the young German conductor Christian Thielemann. Or that before opening night with the Boston Symphony Orchestra in 1992 she demanded to change hotels because the one she was in put peas in her pasta?Upset the underlings and embarrass the hand that feeds you and, however good you are, you are vulnerable. It cost the record company dollars 50,000, a sum that a frustrated executive observed would have been enough to have them surgically lifted and attached to her ears.Are you sure you want to submit this vote?Sharing the full story, not just the headlinesBy the time the announcement was made last week to the Met's cast for Donizetti's La Fille du Regiment, there was not a drop of sympathy left; only rejoicing. The moment arrived when she was rehearsing the part of Marie, the young orphan adopted by a French regiment in Donizetti's opera. Please continue to respect all commenters and create constructive debates.Enter your email to follow new comments on this article.From that day, however, it was only a matter of time before Ms Battle was fired, the experts say. All I can say is I am saddened by this decision."The current clash recalls the confrontations between Maria Callas and Rudolf Bing in the late 1950's, particularly Mr. Bing's 1958 public dismissal of the soprano.