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It was this rush and then stop, and then rush and then stop. Plus other stuff! When I’m done making the new edits I can then open up the relevant splices and click the mouse and it will pull all those tracks into sync again.But what he does in dailies is really fascinating… because he’s very tough on himself. He wants me to look at it cold and tell him if it works.Interestingly, our first audiences had no problem with this — they became gripped by the characters and kept saying they didn’t mind the length and loved the pace. Some editors get very frustrated because they’re working with a director who doesn’t know how to shoot a film to make it edit properly and they have to come in and try and save the film.If you want to spend 13 minutes inside the edit suite with Thelma and Marty, including a visit from Michael Powell, then this little slice of ‘cinema vérité is what you want to watch. Thelma Schoonmaker has edited every film by Martin Scorsese since 1980. But I’m hoping most people go with it.“It took almost a month for me to wrangle the footage into shape…and it was extremely hot and the babies kept crying.”The opening video is a nicely edited montage from the Eddie Awards tribute reel in 2017. If anything feels wrong (which she says rarely happens), she can speak up.“It’s just a very lively, wonderful interplay of ideas all working towards the same goal, which is what is right for the movie,” she says.She says she reads the draft of the project once, then relies on what Scorsese brings to the project, knowing that it can change from what's on the page.
If the video does not display properly in this post it can be seen at: The version of Lightworks available to you is identical to that used by top-flight professional editors:Multi-Oscar-winner Thelma Schoonmaker and her team (Hugo 3D, The Departed, Gangs of New York, and the acclaimed thriller Shutter Island) used Lightworks for Martin Scorsese’s latest film “The Wolf of Wall Street” with Leonardo DiCaprio, for which she has just been nominated for a BAFTA.The list of famous Lightworks editors includes: Jill Bilcock (Moulin Rouge, Romeo & Juliet), Tariq Anwar (Revolutionary Road, The King’s Speech), Sally Menke (Pulp Fiction), Peter Honess (L.A. Thelma Schoonmaker was born on January 3, 1940 in Algiers, Algeria as Thelma Colbert Schoonmaker. He trained me and taught me everything I’ve ever known about film editing.I love cutting improvisation because it’s like putting a puzzle together, and that’s what its like working with an improvised scene because you have to find a way to make that work dramatically as a scene, and I love doing that.Rhythm, pace, and drama are something that an editor has to know how to pull out of a movie.From that point we do all of the 12 different edits of the movie together… that’s what we prefer to do if we can.Working on Wolf of Wall Street was tremendous fun because Scorsese realised right away he had a group of actors who were brilliant and improvisation.
It was this rush and then stop, and then rush and then stop. Plus other stuff! When I’m done making the new edits I can then open up the relevant splices and click the mouse and it will pull all those tracks into sync again.But what he does in dailies is really fascinating… because he’s very tough on himself. He wants me to look at it cold and tell him if it works.Interestingly, our first audiences had no problem with this — they became gripped by the characters and kept saying they didn’t mind the length and loved the pace. Some editors get very frustrated because they’re working with a director who doesn’t know how to shoot a film to make it edit properly and they have to come in and try and save the film.If you want to spend 13 minutes inside the edit suite with Thelma and Marty, including a visit from Michael Powell, then this little slice of ‘cinema vérité is what you want to watch. Thelma Schoonmaker has edited every film by Martin Scorsese since 1980. But I’m hoping most people go with it.“It took almost a month for me to wrangle the footage into shape…and it was extremely hot and the babies kept crying.”The opening video is a nicely edited montage from the Eddie Awards tribute reel in 2017. If anything feels wrong (which she says rarely happens), she can speak up.“It’s just a very lively, wonderful interplay of ideas all working towards the same goal, which is what is right for the movie,” she says.She says she reads the draft of the project once, then relies on what Scorsese brings to the project, knowing that it can change from what's on the page.
If the video does not display properly in this post it can be seen at: The version of Lightworks available to you is identical to that used by top-flight professional editors:Multi-Oscar-winner Thelma Schoonmaker and her team (Hugo 3D, The Departed, Gangs of New York, and the acclaimed thriller Shutter Island) used Lightworks for Martin Scorsese’s latest film “The Wolf of Wall Street” with Leonardo DiCaprio, for which she has just been nominated for a BAFTA.The list of famous Lightworks editors includes: Jill Bilcock (Moulin Rouge, Romeo & Juliet), Tariq Anwar (Revolutionary Road, The King’s Speech), Sally Menke (Pulp Fiction), Peter Honess (L.A. Thelma Schoonmaker was born on January 3, 1940 in Algiers, Algeria as Thelma Colbert Schoonmaker. He trained me and taught me everything I’ve ever known about film editing.I love cutting improvisation because it’s like putting a puzzle together, and that’s what its like working with an improvised scene because you have to find a way to make that work dramatically as a scene, and I love doing that.Rhythm, pace, and drama are something that an editor has to know how to pull out of a movie.From that point we do all of the 12 different edits of the movie together… that’s what we prefer to do if we can.Working on Wolf of Wall Street was tremendous fun because Scorsese realised right away he had a group of actors who were brilliant and improvisation.