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Rock + Roll Gearhead features deluxe slipcase packaging MINNEAPOLIS (PRWEB) May 05, 2020 Amongst the best known are Eliminator, CadZZilla, and Kopperhed, which all appeared in music videos in the day. But Billy’s roots run way deeper. The E Coupe starred in some of the most memorable videos of the 80s, including “Gimme All Your Lovin’,” Sharp Dressed Man” and “Legs,” and gets multiple pages of coverage in the book. This Hardcover Edition of Billy F. Gibbons: Rock + Roll Gearhead is autographed on a bookplate by Billy F. Gibbons. Was quite a trip through the cars and guitars — and a life well led.As I tore into this book and devoured its text and photos, I listened to pre-1976 ZZ Top including “Fandango!” (my personal favorite), “ZZ Top’s First Album,” “Rio Grande Mud” and “Tres Hombres.” Honestly, I personally preferred the Texas boogie-woogie and deep bluesy riffs inspired by Willie Dixon, B.B. Other Gibbons creations, Leapin’ Limo, Cadzzilla, Hogzzilla (a custom motorcycle), Mambo Coupe, Kopperhed and others receive similar narration and photographic attention. I have lived all over the place, but I've recently relocated to the Detroit area.Rock music and cars have been linked since the beginning. The November 2014 issue of Guitar World magazine featured an interview with Gibbons and fellow guitarist Jeff Beck about their mutual appreciation of "cars, guitars, and everything in between". There’s nobody else exactly like Billy F Gibbons, and the same goes for his unique sense of style. If it's got wheels and an engine, IWhile this kind of wordplay and looseness can be compelling in a live interview or in dialog, it can be challenging in pure prose form, but Gibbons and his co-writer Vickers do a good job of keeping the storytelling linear, and the layout with a healthy dose of archival photography puts the words into context. Gibbons' Mojo Maker, a pinstriped beauty.When the book shifts into The Cars, Gibbons throttles back a little on the words, and lets the visual elements take center stage. Throughout, you can hear BFG tell the stories in genuine Texas swagger, as the text is written like he speaks. Much in the way that a car can be piece of rolling art, made all the better by its performance as transportation, a guitar can be a working piece of sculpture, made all the better by its ability to produce sound. It’s Texas guitar-slingin’ and rip-roaring automobiles that are gritty and polished at the same time, just like ZZ Top’s music.Billy, been a fan since you started, then I found out you were a Pinstriper..go figure. Some in the collection are so way out there that I really wonder if they are playable. “Billy F Gibbons: Rock + Roll Gearhead,” written with Tom Vickers, with photography by David Perry, Blain Clausen, Alex Maldonado, and Andrew Stuart, was originally published in 2005.
His inspirations as a guitarist, from Scotty Moore to Chuck Berry, Speedy West to Buddy Holly, Lightnin’ Hopkins to Muddy Waters, and more taught him to “play what you wanna hear.” He credits Bo Diddley with “opening the doorway to many different guitar shapes,” and he followed form on many of his stage guitars.
Rock + Roll Gearhead features deluxe slipcase packaging MINNEAPOLIS (PRWEB) May 05, 2020 Amongst the best known are Eliminator, CadZZilla, and Kopperhed, which all appeared in music videos in the day. But Billy’s roots run way deeper. The E Coupe starred in some of the most memorable videos of the 80s, including “Gimme All Your Lovin’,” Sharp Dressed Man” and “Legs,” and gets multiple pages of coverage in the book. This Hardcover Edition of Billy F. Gibbons: Rock + Roll Gearhead is autographed on a bookplate by Billy F. Gibbons. Was quite a trip through the cars and guitars — and a life well led.As I tore into this book and devoured its text and photos, I listened to pre-1976 ZZ Top including “Fandango!” (my personal favorite), “ZZ Top’s First Album,” “Rio Grande Mud” and “Tres Hombres.” Honestly, I personally preferred the Texas boogie-woogie and deep bluesy riffs inspired by Willie Dixon, B.B. Other Gibbons creations, Leapin’ Limo, Cadzzilla, Hogzzilla (a custom motorcycle), Mambo Coupe, Kopperhed and others receive similar narration and photographic attention. I have lived all over the place, but I've recently relocated to the Detroit area.Rock music and cars have been linked since the beginning. The November 2014 issue of Guitar World magazine featured an interview with Gibbons and fellow guitarist Jeff Beck about their mutual appreciation of "cars, guitars, and everything in between". There’s nobody else exactly like Billy F Gibbons, and the same goes for his unique sense of style. If it's got wheels and an engine, IWhile this kind of wordplay and looseness can be compelling in a live interview or in dialog, it can be challenging in pure prose form, but Gibbons and his co-writer Vickers do a good job of keeping the storytelling linear, and the layout with a healthy dose of archival photography puts the words into context. Gibbons' Mojo Maker, a pinstriped beauty.When the book shifts into The Cars, Gibbons throttles back a little on the words, and lets the visual elements take center stage. Throughout, you can hear BFG tell the stories in genuine Texas swagger, as the text is written like he speaks. Much in the way that a car can be piece of rolling art, made all the better by its performance as transportation, a guitar can be a working piece of sculpture, made all the better by its ability to produce sound. It’s Texas guitar-slingin’ and rip-roaring automobiles that are gritty and polished at the same time, just like ZZ Top’s music.Billy, been a fan since you started, then I found out you were a Pinstriper..go figure. Some in the collection are so way out there that I really wonder if they are playable. “Billy F Gibbons: Rock + Roll Gearhead,” written with Tom Vickers, with photography by David Perry, Blain Clausen, Alex Maldonado, and Andrew Stuart, was originally published in 2005.
His inspirations as a guitarist, from Scotty Moore to Chuck Berry, Speedy West to Buddy Holly, Lightnin’ Hopkins to Muddy Waters, and more taught him to “play what you wanna hear.” He credits Bo Diddley with “opening the doorway to many different guitar shapes,” and he followed form on many of his stage guitars.